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Every image in the gallery is available as framed golf art in three museum-grade finishes, printed to order in the size that fits your wall.

A silicone edge, sewn to the fabric itself, pulls the print taut inside a recessed frame — all artwork, no border. The dye-sublimated weave holds deep, saturated color at sizes that carry a whole wall, on a soft surface that is glare-free and fade-resistant.

The image is infused directly into aluminum — color of uncommon depth, rated to hold it for up to 65 years indoors, and resistant to scratches, fire, and water. A hidden mount floats the slim panel off the wall; no frame at all.

Printed on archival photographic paper with a lustrous finish — rich color, deep contrast, resistant to fingerprints and scratches — then left to you and your framer. The classic presentation, made to be kept.
Exclusive to the SEG fabric finish — and a stray golf ball won't damage it.
The silicone edge lifts out by hand — no tools — and a new image drops into the frame you already own. Move prints between rooms, or order another course in the same size when the mood changes.
The fabric naturally absorbs sound — cutting echo and softening harsh reflections in rooms full of hard surfaces. In a simulator bay, the art doesn't just hang; it works alongside your acoustic treatment.
SEG fabric runs from two-foot squares to displays fifty feet wide and ten feet tall. Shipping caps ChromaLuxe metal and archival paper at sixty by forty inches — beyond that, fabric owns the wall. The included black frame reveals a sixteenth of an inch from the front; the artwork does the talking.

Because the light comes through the fabric rather than bouncing off it, the image reads like a gallery transparency — the course glowing out of a dark wall. At home it’s evening ambiance; in a venue, the backlit statement wall. Specified by commission, with a free room mockup to approve before anything prints.
Ask About Backlighting
One of the most widely published photographers in golf, Klemme has shot on commission for Arnold Palmer Design, Nike, GOLF Magazine, Hyatt, and Four Seasons — and served as the official photographer of the PGA Tour's TPC courses.
Golf As Life is his golf art gallery: five million miles, 1,800 courses, and 50 countries, distilled into the best images from a lifetime behind the lens and printed to museum standards.

“Mike Klemme has long been among the handful of pros at the very pinnacle of the golf business, and his specialty has been showcasing the beauty and grandeur of the world’s best courses.”George Peper · 25-Year Editor of GOLF Magazine

Brian Morgan photographed his first event — the 1965 Ryder Cup at Royal Birkdale — and never set the camera down. The Scot went on to shoot fifty consecutive Open Championships, seventeen Masters, twelve U.S. Opens, twelve PGA Championships, and eight Ryder Cups, working in an official capacity at all four of golf’s majors. For twelve of those years, Augusta National used his photographs in its own Masters publications.
His archive now joins Mike's in the gallery: links golf art from St Andrews, Turnberry, and Old Head of Kinsale, printed to the same museum standard — with a hundred new images arriving now.

“Brian Morgan is the best golf course photographer in the world.”Greenkeeper International · BIGGA Magazine
There is no shortage of golf art — licensed, mass-printed, hung and forgotten. This is something else. Hang one of these and you've installed the work of two of golf's premier photographers: a real course, a real morning, witnessed in person.
Mike or Brian stood on every course in this gallery — part of more than 2,000 across 50 countries between them — waiting for light that can't be scheduled. What you hang is the moment they caught, not an image assembled at a desk.
Nothing here waits in a warehouse. Each piece is produced when you choose it, in museum-grade materials, and arrives as a single deliberate object — not inventory.
Above the simulator screen.
Over the living room mantel.
Behind the office desk.
On the clubhouse wall.
Golf art for the office, the living room, the simulator bay — on grass or on a screen, if you play the game, this work belongs in your space.
Find the Print for Your Room
Swilcan Bridge · St Andrews
Augusta National · Hole 12
Whistler · British Columbia
Portstewart · Northern Ireland
Pebble Beach · Hole 7
Royal & Ancient · St Andrews

Sound is the part of a room no one sees and everyone feels. A venue that rings — voices bouncing off screens, glass, and bare walls — quietly wears its guests down; they leave early and never know why. At home, it's the simulator bay that carries through the house, the great room that never quite settles.
Large commissioned pieces with concealed foam cores change the equation: reflected sound is absorbed instead of returned, rooms keep their sound to themselves, and the whole space takes on the calm of a gallery. Offered exclusively by commission — never off the shelf, never one-size-fits-all. Every room sounds different, so Mike specs each piece to yours.
Inquire About AcousticsGolf As Life: The Book, Volume One gathers the stories golfers actually tell — heartfelt, hilarious, true — from touring professionals, industry insiders, and everyday players, and sets each one against Mike's photography.
One hundred sixty pages of stories and golf art, hardbound, drawn from a library spanning 1,800 courses in 50 countries. Made for the coffee table, the clubhouse, and the gift you won't have to think twice about.
Golf As Life: The Book pairs stories from touring pros, industry insiders, and everyday golfers with Mike Klemme’s golf course photography. Golf As Life is inviting a small group of golf companies and brands to sponsor the first volume. Each sponsorship includes recognition in the book and copies to share with clients, members, or guests.
Exclusive branding on the cover and title page, a premium full-page ad, lead recognition in the book and across the promotion campaign, and 100 copies.
A half-page ad, recognition in the book and across promotional materials, the website, and social media, and 50 copies.
Logo placement in the book’s sponsorship section, recognition in select promotional materials and social media, and 25 copies.
Mike has built rooms like this more than 150 times — custom photographic installations in hospitals, universities, and corporate campuses, every piece produced with his son Brett in the family’s Enid, Oklahoma studio.
No obligation · Inquiries answered within 24 hours
Share your space — floor plans, photos, the look you're after — straight to Mike Klemme's studio. He reviews every request personally and follows up with ideas, direction, and a private quote.
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